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SAVATAGE LYRICS

1. Believe


[Taken from Streets]

[Music & Words: Jon Oliva, Criss Oliva, Paul O'Neill]

So after all those one night stands
You've ended up with heart in hand
A child alone
On your own
Retreating

Regretful for the things you're not
And all the things you haven't got
Without a home
A heart of stone
Lies bleeding

And for all the roads you followed
And for all you did not find
And for all the things you had to leave behind

I am the way
I am the light
I am the dark inside the night
I hear your hopes
I feel your dreams
And in the dark I hear your screams
Don't turn away
Just take my hand
And when you make your final stand
I'll be right there
I'll never leave
All I ask of you
Believe

Your childhood eyes were so intense
While bartering your innocence
For bits of string
The grown-up wings
You needed

But when you had to add them up
You found that there were not enough
To get you in
Pay for sins
Repeated

And for all the years you borrowed
And for all the tears you cried
And for all the fears you had to keep inside
Yeah

I am the way
I am the light
I am the dark inside the night
I hear your hopes
I feel your dreams
And in the dark I hear your screams
Don't turn away
Just take my hand
And when you make your final stand
I'll be right there
I'll never leave
And all I ask of you
Believe, yeah

I never wanted to know
Never wanted to see
I wasted my time
Till time wasted me
Never wanted to go
Always wanted to stay
'Cause the persons I am
Are the parts that I play
So I plot and I plan
Hope and I scheme
To the lure of a night
Filled with unfinished dreams
And I'm holding on tight
To a world gone astray
As they charge me for years
I can't pay

I am the way
I am the light
I am the dark inside the night
I hear your hopes
I feel your dreams
And in the dark I hear your screams
Don't turn away
Just take my hand
And when you make your final stand
I'll be right there
I'll never leave
All I ask of you
Believe
Believe


2. Visions


[Taken from Handful of Rain]

[Music: Jon Oliva, Paul O'Neill]

[Instrumental]


3. Taunting Cobras


[Taken from Handful of Rain]

[Music & Words: Jon Oliva, Paul O'Neill]

Hey You
She's gonna get you
If you go walking by this corner slow
Don't think she's gonna let you leave
Just because you want to go

Boy you ain't seen nothin' yet
It's a long train of regret
Puppets get no second chance
Pull that string they gotta dance

Parallel addiction is a double crucifixion
When your always out there feeding your head
Always channel surfing cause your brain it isn't working
When you're looking at that moment just remember

Don't look
Don't stray
Don't talk it over
No time
No way
Listen to me I'm cold sober
You're just out there
Taunting Cobras

Hey you
Who's gonna warn you
When it's something you don't want to know
Don't think
It won't deform you
Twist your mind then let it go

Boy you ain't seen nothin' yet
It's a long train of regret
Puppets get no second chance
Pull that strings they gotta dance

Welcome to the prison
Let me tell ya what you're missing
I've been coming here for nearly a year
Out there was my corner
'Till I came in for a water
Mixed with Whiskey
And a chaser of sideway glances

Don't look
Don't stray
Don't talk it over
No time
No way
Listen to me I'm cold sober
You're just out there taunting Cobras

Don't look
Don't stray
Don't talk it over
No time
No way
Listen to me I'm cold sober
You're just out there taunting Cobras


4. Handful Of Rain


[Taken from Handful of Rain]

[Music & Words: Jon Oliva, Paul O'Neill]

The night is growing dark
From somewhere deep within
It shelters like an ark
That always takes you in

The barmaid walks on over
And pours another round
For a lost soul at the corner
Who prays he's never found

And the mind goes numb
Until it's feeling no pain
And the soul cries out
For a handful of rain

Wash your women
In your Whiskey
When your future's
In the past
And your staring
Up at heaven
From the bottom
Of a glass
And you need some insulation
From the years you've
Had and lost
And you feel the perspiration
As you're adding up the cost

And the night rolls on
Like a slow moving train
And the soul cries out
cries out, cries out...

There's a land beyond the living
There's a land beyond the dead
If it's true that God's forgiving
Of the lives that we had led
In the distance there's a thunder
And the air is thick and warm
And the patrons watch with wonder
The approaching of the storm

And the night rolls on
Like a slow moving train
And the soul cries out
For a handful of rain

There's an old man in the corner
And he's smoking all the time
An the smoke is drifting upward and it's
Twisting in my
Twisting in my
Mind
In my mind

The whiskey's getting deeper
And I use it like a moat
There's a blues man in the distance and he's
Lost inside his
His note
His note

The night is growing dark
From somewhere deep within
It shelters like an ark
That always takes you in

And the night rolls on
Like a slow moving train
And the soul cries out
For a handful of rain


5. Chance


[Taken from Handful of Rain]

[Music & Words: Jon Oliva, Paul O'Neill]

He was standing all alone
Trying to find the words to say
When every prayer he ever prayed
Was gone
And the dreams he's never owned
Are still safely tucked away
Until tomorrow he just
Carries on
Carries on
Carries on

See the Devil in the streets at night
See him running in the pouring rain
See him grinning 'neath a twisted light
I'll be back again
See the people standing in a row
See them nodding like a field of grain
No one sees the sickle though
Coming 'cross the plain

And this he knows if nothing more
That waiting in the dark like destiny
Are those who kissed the dogs of war
And there is no tomorrow
No tomorrow
Take a chance
Take a, take a chance, yeah

See the Devil he is so intense
See the Devil go and change his name
What's the going price of innocence
It can't be the same
Is it dark when the moon is down
Is it dark with a single flame
If there's glass falling all all around
I am not to blame
And this he knows if nothing more

That waiting in the dark like destiny
Are those who kissed the dogs of war
And there is no tomorrow
No tomorrow
Take a chance
Take a, take a chance, yeah
Take a chance
Take a, take a chance, yeah

Burn the night away
Burn the night away
Burn the night...

Pictures at an exhibition
Played as he stood his trance
Staring at his inhibitions
All the time believing
That it now came down to nothing but this chance
Chance
Chance
Chance

I fear you
Your silence
Your blindless
See what you want to see
In darkness
One kindness
One moment
Tell me what you believe

I believe in nothing
Never really had to
In regards to your life
Rumors that are not true
Who's defending evil
Surely never I
Who would be the witness
Should you chance to die

Father can you hear me
This is not how was meant to be
I am safe and so are you
As for the others destiny

[simultaneously - add a new stanza each time]

[1].
Father can you hear me
This is not how was meant to be
I am safe and so are you
As for the others destiny

[simultaneously - add a new stanza each second time]

[2].
I believe that situations
All depend on circumstance

[3].
Look away
Look away
Look away
Look away

[4].
Pictures at an exhibition
Played as he stood in his trance
Staring at his inhibitions
All the time believing
That it now came down to
Nothing but this...

[All together]
Chance
Chance
Chance...


6. Sarajevo


[Taken from Dead Winter Dead]

[Music & Words: Jon Oliva, Paul O'Neill]

In the town of Sarajevo, there's an old medieval square
There's a church aside one corner most believe was always there

It was built a thousand years before any now were born
And its glory was its belfry with its stones all gray... and worn

Now there's a gargoyle on that belfry and he's been up there for years
And he has watched and he has pondered: "What is laughter, what are tears?"

And he's never found his answers as he sees the years go by
But he watches and he wonders with his stone unblinking eyes


7. This Is The Time


[Taken from Dead Winter Dead]

[Music & Words: Jon Oliva, Paul O'Neill]

Watching in silence, I hesitate: It was not in the plans
All of our lives we could only wait: It was out of our hands

And every war where we took the day, it was all in our heads
And though in the dark we dream at night, they were better unsaid

[chorus]
But this is the time and this is the place
And these are the signs that we must embrace
The moment is now, in all history
The time has arrived and this is the one place to be
Yeah, yeah

We placed our years in the hourglass, they were never unearned
And we seemed destined to watch them pass - it was never our turn

[chorus]
But this is the time and this is the place
And these are the signs that we must embrace
The moment is now, in all history
The time has arrived and this is the one place to be
Yeah, yeah

[lead break]

[solo]

[chorus]
This is the time and this is the place
And these are the signs that we must embrace
The moment is now, in all history
The time has arrived and this is the one place to be
Yeah, yeah

[extro]


8. This Isn't What We Meant


[Taken from Dead Winter Dead]

[Music & Words: Jon Oliva, Paul O'Neill]

We dared to ask for more
But that was long before the nights began to burn
You would have thought we'd learned
You can't make promises all based upon tomorrow
Happiness, security are words we only borrowed
For is this the answer to our prayers, is this was God has sent?
Please understand this isn't what we meant

The future couldn't last, we nailed it to the past
With every word a trap that no one can take
Back from all the architects who find their towers leaning
And every prayer we pray at night has somehow lost its meaning
For is this the answer to our prayers, is this was God has sent?
Please understand this isn't what we meant

[bridge]
A long time ago when the world was pretty
Standing right here in a different city
They're not coming back any more
They're not coming back any...

[lead break]

[solo]

[extro]
Is this the answer to our prayers, is this was God has sent?
Please understand this isn't what we meant


9. Christmas Eve (Sarajevo 12/24)


[Taken from Dead Winter Dead]

[Music: Jon Oliva, Paul O'Neill, Bob Kinkel]

[Instrumental]


10. Edge Of Thorns


[Taken from Japan Live '94]

[Music & Words: Jon Oliva, Criss Oliva, Paul O'Neill]

An offering of reasons
We put them all in play
A covering of treasons
That one by one we let slip away

A solitary dancer
So lost upon her stage

I have seen you on the edge of dawn
Felt you there before you were born
Balanced your dreams upon the edge of thorns
But I don't think about you anymore

A study made from winter
Of summers long ago
And dreams that used to glitter
Safely now hidden under snow

And so we end the chapter
And let the stage lights fade

I have seen you on the edge of dawn
Felt you there before you were born
Balanced your dreams upon the edge of thorns
But I don't think about you anymore

I have seen you on the edge of dawn
Felt you there before you were born
Balanced your dreams upon the edge of thorns
But I don't think about you anymore
Anymore
I don't think about you anymore
Anymore
I don't think about you
I don't think about you
I don't think about you
Anymore, anymore, anymore


11. Gutter Ballet


[Taken from Japan Live '94]

[Music & Words: Jon Oliva, Criss Oliva, Paul O'Neill]

Another sleepless night
A concrete paradise
Sirens screaming in the heat

Neon cuts the eye
As the jester sighs
At the world beneath his feet

It's a gutter ballet
Just a menagerie
Still the orchestra plays
In the darkness of the night
To a distant fading light

Balanced on their knives
Little parts of lives
Such a strange reality

Kill the unicorn
Just to have its horn
Soon he's just a fantasy

It's a gutter ballet
Just a menagerie
Still the orchestra plays
On a dark and lonely night
To a distant fading light

The jester takes his bows
Slips into the crowd
As the actors fade away

Another death to mourn
Another child is born
Another chapter in the play

It's a gutter ballet
Just a menagerie
Still the orchestra plays
On a dark and lonely night
To a distant fading light

It's a gutter ballet
a gutter ballet, ooh
a gutter ballet, aah
a gutter ballet, yeah


12. The Dungeons Are Calling


[Taken from Final Bell - Ghost in the Ruins]

[Music & Words: Jon Oliva, Criss Oliva, Keith Collins]

Down in the dungeons
Of concrete and terror
Candles light the way
Can you hear me say?
The dungeons are calling
The dungeons are calling
For me, for me, yeah

"Alright, let's go"

I can't escape
This den must be hell
Pleasures of freedom
Denied me in this cell
I steal from my friends
Victims of my pain
Its nearing the end
I live like the dead

The dungeons are calling
Calling for me, yeah, ooh
The dungeons are calling
The rack waits for me, oh, yeah

Down in the dungeons
I'm locked away
Suicide ride
I take everyday
Prisoner in hell
Victim in pain
The dungeons are calling for me

None of my friends
Want to come out and play
They think I'm crazy
But what can I say?
Prisoner in hell
Victim in pain
It's nearing the end
I live like the dead

The dungeons are calling
Calling for me, aah, aah
The dungeons are calling
The rack waits for me, aah, yeah


13. Sirens


[Taken from Final Bell - Ghost in the Ruins]

[Music & Words: Jon Oliva, Criss Oliva]

"Alright, let me see everybody up, let's go.
Kick my ass."

On the sea
They heard the voices sing
Through the storm
The island's closing in
They'd heard tales
Of lives lost at sea
Deserted beach just beyong their reach
You're approaching the island of the

Sirens
Sirens
Hungry for men tonight
Sirens
"Come on"
Sirens
Claiming the sailors' lives

Nine men made it to a shore
A night of terror
Lies neatly in store
Who are those women?
Are they real?
Is this just a crazy dream?
You're approaching the island of the

Sirens
Sirens
Hungry for flesh tonight
Sirens, oh
Sirens, no
Claiming the sailors' lives

Terror happens quickly
Remains till the sailor are gone
They vanished in the night
Sirens singing their song
Whoa, till they're gone...

"Let me hear you"

Oh, ooh
Oh, ooh
Oh, ooh
Oh, ooh

"Goodnight!
Thank you, New York."


14. Criss Oliva Guitar Solo


[Taken from Final Bell - Ghost in the Ruins]

[Music: Criss Oliva]

[Instrumental]

"Only guitar, Christopher Michael Oliva"


15. Hall Of The Mountain King


[Taken from Final Bell - Ghost in the Ruins]

[Music & Words: Jon Oliva, Criss Oliva, Johnny Lee Middleton, Paul O'Neill, Grieg]

"The hall of the mountain king"

Far away
In a land caught between
Time and space
Where the books of life lay
We fear
This castle of stone
The mountain king roams
All alone in here
But he's not the only one
"Come on, New York."
Go, go, go
Lost inside
Forever hidden from the sun

Madness reigns
In the Hall of the Mountain King
Oh yeah

His deep
Dark eyes
Keep watch on his kingdom
And the mysteries that sleep inside
His hall
His towers of stone
Shall not be overthrown
For eternity
It is guarded by the king
Go, go, go
Insanity and the power that it brings

Madness reigns, ah, ha, ha...
In the Hall of the Mountain King
Oh yeah
In the Hall of the Mountain King
Oh yeah, yeah, yeah, yeah

Come with me
Stay close by my side
As the darkness of night closes in
Don't fear
In the thunder, it roars
When the Mountain King calls all his children home
To where I hid him we must run
Refuge here but I was forever on the run

Madness reigns
"Right here in Brooklyn"
In the Hall of the Mountain King
Oh yeah
In the Hall of the Mountain King
Oh yeah, yeah, yeah, yeah


16. Alone You Breathe


[Taken from Handful of Rain]

[Music & Words: Jon Oliva, Paul O'Neill]

You were never one for waiting
Still I always thought you'd wait for me
Have you from your dream awakened
And from where you are what do you see

Which of us is now in exile
Which in need of amnesty
Are you now but an illusion
In my mind alone you breathe

You believed in things that I will never know
You were out there drowning but it never showed
Till inside a rain swept night you just let go

You're thrown it all away
And now we'll never see
The ending of the play
The grand design
The final line
And what was meant to be

In the dark a distant runner
Now has disappeared into the night
Leaving us to stand and wonder
Staring from this end into your life

You believed in things that I will never know
You were out there drowning but it never showed
Till inside a rain swept night you just let go

You've thrown it all away
And now we'll never see
The ending of the play
The grand design
The final line
And what was meant to be

And if this is all illusion
Nothing more than pure delusion
Clinging to a fading fantasy

Like Icarus who heeds the calling
Of a sun but now is falling
As the feathers of his life fall free
Can you see
See

Tomorrow
And after
You tell me what am I to do
I stand here
Believing
That in the dark
There is a clue

Perhaps inside
This midnight sky
Perhaps tomorrow's new born eyes
Or then again
We'll never know
And after all
This was the show

What am I to do
Gotta get back
Gotta get back
Gotta get back

What am I to do
Gotta get back
Gotta get back
Gotta get back

What am I to do

Standing on a dream
Isn't what it seems
Could we then reclaim a dream refused
Knowing what we know
Could we let it go
Realizing that all the years are used

Tomorrow and after
You tell me what am I to do
I stand here believing
That in the dark there is a clue
I am the way
I am the light
I am the dark inside the night
I hear your hopes
I feel your dreams
And in the dark I hear your screams

Tomorrow and after
You tell me what am I to do
I stand here believing
That in the dark there is a clue



BELIEVE is a Japanese compilation spotlighting the four Savatage albums that
have been released in that Japan on the Zero label. The album is intended to
keep Savatage material on display in Japanese music stores. BELIEVE is a
selection of tracks that the band feels showcase key turning points for the
band during the 1990's. The extensive liner notes include a well written
track by track description and band history by Clay Marshall.

No previously unreleased tracks were released on this album.

Though technically the song "Believe" was never released on Zero, but what
would any Savatage compilation be without the song? Not Complete. So proper
dues were paid and it became the title track.

THE BEST AND THE REST was a compilation with tracks largely selected by a
fan vote. BELIEVE is more of what the band thinks is its best work, and the
purpose of this compilation is to showcase key turning points for the band
during the 1990's.

The album has an extensive Savatage biography and detailed liner notes,
including background information behind every song represented here. They
were written by Clay Marshall, and appear inside the album in both English
and Japanese.

Thanks to g6nickchad for sending these lyrics.


Submits, comments, corrections are welcomed at webmaster@darklyrics.com


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